| “意境”在中国古代山水画论中的理论与阐释 |
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| 引用本文： | 王帆.“意境”在中国古代山水画论中的理论与阐释[J].甘肃高师学报,2013,18(4):68-70. |
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| 作者姓名： | 王帆 |
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| 作者单位： | 甘肃民族师范学院美术系,甘肃合作,747000 |
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| 摘 要： | 在山水画发展的同时,画论也相应地触及到山水画的特殊艺术境界问题。中国古代山水画从宗炳、王微开始,就已注重景外之景、象外之象的追求,虽然当时并未从理论高度明确提出创造意境,但他们的画论和创作已现端倪。
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| 关 键 词： | 意境 中国古代 山水画论 |
Artistic Conception in Chinese Ancient Landscape Painting |
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| WANG Fan.Artistic Conception in Chinese Ancient Landscape Painting[J].Journal of Gansu Normal College,2013,18(4):68-70. |
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| Authors: | WANG Fan |
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| Institution: | WANG Fan;Department of Arts,Gansu Normal University for Nationalities; |
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| Abstract: | During the course of landscape painting, the painting theory also developed in to deal with the special artistic state of land- scape painting accordingly. The ancient Chinese landscape painter, Zong Bing and Wang Wei paid much attention to pursuit the goal of ＂scene out of scenes, image out of images＂ from 5th century. Although they didn＇t state explicitly from the theoretical level to cre- ate artistic conception, their painting theory has gradually taken shape in their works. |
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| Keywords: | artistic conception Chinese ancient theory of landscape painting |
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