| 浅谈《红楼梦》的开端艺术 |
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| 引用本文： | 刘卫国.浅谈《红楼梦》的开端艺术[J].天津电大学报,2001,5(2):32-34. |
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| 作者姓名： | 刘卫国 |
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| 作者单位： | 天津电大,天津,300191 |
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| 摘 要： | 《红楼梦》虽沿用“水浒式”的神话故事开篇,却高度强化了交代背景、介绍人物、引导情节、演染气氛、抒情言志等多种结构作用和表现功能;迅速地营构出情节主线的端点;改造了中国章回小说开篇的传统格局;形成了“由虚而入实、沿隐以至显”的独特性状;创造世界学范围的艺术标高。
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| 关 键 词： | 《红楼梦》 开端艺术 艺术价值 |
| 文章编号： | 1008-3006(2001)02-0032-03 |
| 修稿时间： | 2001年1月1日 |
Beginning Art of a Dream of the Red Chamber |
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| LIU Wei-guo.Beginning Art of a Dream of the Red Chamber[J].Journal of Tianjin R & TV University,2001,5(2):32-34. |
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| Authors: | LIU Wei-guo |
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| Abstract: | This thesis discusses the beginning style of the novel a Dream of the Red Chamber. The novel highly strengthens the introduction of the background and characters of the time, though it somewhat continues to use the style of opening of a fairy tale just like another Chinese novel Water Martial. It also highlights the way leading to the plots ,the atmosphere of the scene and the lyrical style of language. It adapts a variety of structures and skills of novel writing. So a starting point of the theme is created, breaking and reforming the patterns of traditional Chinese novel writing(with each chapter headed by a couple of giving gist of its content) . The novel has its unique feature "getting into the reality from a state of illusion or presenting the real world by a mixture of being real and unreal". And it thus creates an artistic criterion in the field of the world literature. |
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| Keywords: | a Dream of the Red Chamber beginning art artistic value |
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