| 维柯《新科学》中的美学思想 |
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| 引用本文： | 邱紫华.维柯《新科学》中的美学思想[J].郧阳师范高等专科学校学报,2001,21(4):42-45. |
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| 作者姓名： | 邱紫华 |
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| 作者单位： | 华中师范大学,文学院,湖北,武汉,430079 |
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| 基金项目： | 国家社会科学研究基金"十五"规划重大项目:西方美学史. |
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| 摘 要： | 维柯在美学史上有着独特的地位和特殊的贡献.从维柯<新科学>中可以提取三个方面的重要的美学思想第一,人类的美感产生于人的社会生活实践,美的观念是从事物的实用性、功利性价值观念转化而来;第二,诗性的想象的类概念是美的分类基础,美的生发方式和分类方式是通过联想推衍出来的;第三,审美移情是诗性思维的必然结果.上述三个方面的深刻见解在近代美学史上具有重要的理论意义.
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| 关 键 词： | 维柯 |
| 文章编号： | 1008-6072(2001)04-0042-04 |
| 修稿时间： | 2001年6月14日 |
The Aesthetic Ideas in New Science |
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| QIU Zi-hua.The Aesthetic Ideas in New Science[J].Journal of Yunyang Teachers College,2001,21(4):42-45. |
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| Authors: | QIU Zi-hua |
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| Abstract: | Vico holds a special status in the aesthetic history and makes particular contributions to the aesthetic theory. Three aspects of the aesthetic ideas are dug out of his New Science: human aesthetic feelings arise from the social practice and aesthetic concepts are formed practicality and utilitarianism; categorical concept characterized by poetic imagination is the basis of aesthetics and the modes of aesthetic production and classification are inferred through the imagination; aesthetic empathy is the inevitable result of poetic imagination. The above-mentioned three aspects of aesthetic idea are of theoretical significance in the modern aesthetic history. |
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| Keywords: | Vico New Science aesthetic concept aesthetic feeling categorical concept of imagination aesthetic empathy |
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