| 论雅俗文学的界限——兼向朱立元先生请教 |
| |
| 引用本文： | 燕世超.论雅俗文学的界限——兼向朱立元先生请教[J].安庆师范学院学报(社会科学版),2002,21(2):46-48. |
| |
| 作者姓名： | 燕世超 |
| |
| 作者单位： | 汕头大学,文学院,广东,汕头,515063 |
| |
| 摘 要： | 从文本角度来看,雅俗文学的界限就在于文本自身在特定情况下为人们提供的文化信息丰富与否;但20世纪90年代以来,雅俗文学的界限却呈现出既趋于模糊又趋于分明这一看似反常的现象,其根本原因在于理论模式的转换与文学消遣娱乐功能的强化.
|
| 关 键 词： | 雅文学 通俗文学 界限 文本 读者 |
| 文章编号： | 1003-4730(2002)02-0046-03 |
| 修稿时间： | 2001年11月16日 |
On Dividing Line Between Refined and Popular Literature |
| |
| YAN Shi,chao.On Dividing Line Between Refined and Popular Literature[J].Journal of Anqing Teachers College(Social Science Edition),2002,21(2):46-48. |
| |
| Authors: | YAN Shi chao |
| |
| Abstract: | Viewed from the angle of text,the dividing line between the refined and popular literature lies in whether the cultural information provided for people under the special conditions is rich or not.It has appeared an unusual phenomenon that the line sometimes becomes clear while at other times indistinct since the 1990s.The fundamental reasons exist in the transformation of the theoretical modes and the intensification of the function of literary entertainment. |
| |
| Keywords: | refined literature popular literature |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
