Between sport and tragedy: Hemingway's passion for bullfighting |
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| Authors: | Thierry Ozwald |
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| Institution: | 1. Faculté des lettres, Laboratoire de recherche EHIC, Université de Limoges, Limoges, Francethierry.ozwald@wanadoo.fr |
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| Abstract: | ABSTRACT‘It is a sport’ writes Hemingway on the subject of bullfights in public places, ‘a very wild and primitive sport and, mainly, a true sport of amateurs. I fear however that because of danger of death which it implies, it never has great success among the sporting-men of America and England’ (Death in the afternoon, Gallimard, 1938, p. 27). Hemingway was interested in sport since his young age: athletic, a follower of sports at Oak Park's High School, fascinated by horse racing and later an enthusiast for deep sea fishing, hunting, boxing etc, in other words what we would call today the ‘extreme sports’, he had a passion for bullfighting in Spain, which he tested, although unsuccessfully. In his papers for the Toronto Weekly Star, his novel The Sun also rises published in 1926, and especially in his essay Death in the afternoon, a true treaty of bullfighting, he undertakes a close study of the specific techniques of this very particular sport; yet what interests him most of all is its artistic value. Art or sport? Such is the key question that he poses throughout the pages of this work, which are actually a deep reflection on the origins of the sport and the finality of art; the relations between sport and art are quite complex and, according to him, have to be reconsidered, since writing for him is also linked to moral and physical effort, and is even a kind of ‘intimate bullfighting’. |
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