| 浅议秦观词中之“愁”——兼谈“诗可以怨” |
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| 引用本文： | 蔡爱芳.浅议秦观词中之“愁”——兼谈“诗可以怨”[J].新乡师范高等专科学校学报,2003,17(6):86-88. |
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| 作者姓名： | 蔡爱芳 |
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| 作者单位： | 中原工学院,政法系,河南,郑州,450007 |
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| 摘 要： | 秦观词作中充溢着"愁"、"恨"等字眼,它们契合了人们在审美心理上的主要特征———"距离产生美",同时也满足了人的自我确证的深层心理需要。丹纳在《艺术哲学》中指出:艺术品的本质在于把一个对象的基本特征,至少是重要的特征,表现得越占主导地位越好,越显明越好。秦观词中扑面而来的"愁"情很好地表现了人类心理的一些重要特征。
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| 关 键 词： | 愁、恨、心理、距离、自我确证、主要特征 |
| 文章编号： | 1008-7613(2003)06-0086-03 |
| 修稿时间： | 2003年9月17日 |
An Analysis of the Sentiment in Qin Guan's Ci Poetry |
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| CAI Ai-fang.An Analysis of the Sentiment in Qin Guan's Ci Poetry[J].Journal of Xinxiang Teachers College,2003,17(6):86-88. |
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| Authors: | CAI Ai-fang |
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| Abstract: | Qin Guan′s Ci poetry is full of sorrow and sadness ,which concides with human′s aesthetic and deep psychological characteristic . Rodin in his Philosophy of Art said :"It′s much better that art works present its main character more obvious ,which is just art′s essence". It has something with the reason that Qin Guan's Ci poetry is very popular. |
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| Keywords: | sadness psychology distance self-comfirmed |
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