| 《巴黎圣母院》的对比手法及其形象体系 |
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| 引用本文： | 李秋虹.《巴黎圣母院》的对比手法及其形象体系[J].安阳师范学院学报,2007(3):87-88,93. |
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| 作者姓名： | 李秋虹 |
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| 作者单位： | 漯河职业技术学院,河南,漯河,462000 |
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| 摘 要： | 美丑对比原则是雨果浪漫主义思想的核心,而《巴黎圣母院》是雨果浪漫主义的代表作,作品自始至终都体现了这种原则。尤其作者运用对比手法塑造的人物形象体系,使美与丑、善与恶形成了十分鲜明的对比,从而突出了作品主题。
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| 关 键 词： | 巴黎圣母院 对比原则 形象体系 美与丑 善与恶 |
| 文章编号： | 1671-5330（2007）03-0087-02 |
| 修稿时间： | 2007-03-01 |
The Comparison Principle and Image Group of Notre Damede Paris |
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| LI Qiu-hong.The Comparison Principle and Image Group of Notre Damede Paris[J].Journal of Aayang Teachers College,2007(3):87-88,93. |
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| Authors: | LI Qiu-hong |
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| Institution: | Luohe Vocational and technical College, Luohe 462000, China |
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| Abstract: | The principle of comparison between beauty and ugliness is the core of Yu Guo's romantic idea.Notre damede Paris is the representative work of Yu Guo and it reflects this principle from the beginning to the end.By comparison,the author created a group of character images,and these images make the comparison between virtue and evil,beauty and ugliness distinct.Therefore,the theme of the work is more clear. |
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| Keywords: | Notre damede Paris comparison principle image group beauty and ugliness virtue and evil |
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