| 《牡丹亭》的“主脑” |
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| 引用本文： | 顾春勇.《牡丹亭》的“主脑”[J].宜宾学院学报,2012(2):49-52. |
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| 作者姓名： | 顾春勇 |
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| 作者单位： | 扬州大学文学院 |
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| 摘 要： | "立主脑"是清代戏曲家李渔提出的一条戏曲创作原则,这条原则要求作家在创作传奇作品时要确定剧中的关键人物及围绕其发生的关键情节,即"一人一事"。汤显祖《牡丹亭》的"主脑"为杜丽娘"游园惊梦"这"一人一事"。在《惊梦》这一出中,杜丽娘的形象发生了巨大转变,成为汤显祖"至情"理想的载体和代言人,"游园惊梦"成为全剧剧情发展的关键。同时,《惊梦》在全剧结构上具有承前启后的作用。
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| 关 键 词： | 牡丹亭 “主脑” 惊梦 至情说 |
"Establishing Key" of Peony Pavilion |
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| Authors: | GU Chun-yong |
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| Institution: | GU Chun-yong(School of Chinese Language and Literature,Yangzhou University,Yangzhou 225002,China) |
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| Abstract: | "Establishing key" is a principle of creating opera proposed by Li Yu who is an opera master in Qing Dynasty.This principle requests writers to define the key character and the key incident when writing an opera which is "one character and one incident".If using this principle to analyze the opera Peony Pavilion created by Tang Xianzu,it is found that the interrupting of Du Liniang′s dream is the key of Peony Pavilion.In the act of "The Interrupted Dream" Tang Xianzu elucidates his theory of "Emotion First" by modeling the character of Du Liniang;meanwhile,"the interrupted dream" is also the key in the structure. |
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| Keywords: | Peony Pavilion Establishing Key The Interrupted Dream Emotion First |
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