| 宋代绘画本质论的变迁 |
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| 引用本文： | 王韶华.宋代绘画本质论的变迁[J].内蒙古大学学报(人文社会科学版),2002,34(3):90-95. |
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| 作者姓名： | 王韶华 |
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| 作者单位： | 浙江大学中文系,浙江杭州310028 |
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| 摘 要： | 对绘画本质的认识是宋代绘画思想的一个焦点。宋代300年间,绘画的本质论呈现出由以“理”为本到以“意”、“趣”为本的发展趋向,这一趋向是主体意识在绘画中逐渐觉醒的过程,是绘画本质上走近诗歌的表现。
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| 关 键 词： | 宋代 绘画思想 本质 |
| 文章编号： | 1000-5218(2002)03-0090-06 |
| 修稿时间： | 2001年10月23 |
Development of Theories About Essence of Painting During Song Dynasty |
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| WANG Shao-hua.Development of Theories About Essence of Painting During Song Dynasty[J].Journal of Inner Mongolia University(Humanities & Social Sciences),2002,34(3):90-95. |
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| Authors: | WANG Shao-hua |
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| Abstract: | It is the focus of the thought of painting in the Song Dynasty what is essence of painting. During the 300 yearsof the reign of the Song Dynasty, the opinions of essence of painting developed along the track on which the authoritative statusof "course" turned into "idea", and then to the focus on "interest". The subject of painting waked up, and painting had beencoming near to poetry. |
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| Keywords: | Song dynasty thought of painting nature |
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