| 抽象的传统与传统的抽象——论中国古代漆画的抽象特性 |
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| 引用本文： | 汪天亮.抽象的传统与传统的抽象——论中国古代漆画的抽象特性[J].福建师范大学学报(哲学社会科学版),2007(5):121-123. |
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| 作者姓名： | 汪天亮 |
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| 作者单位： | 闽江学院艺术系,福建,福州,350108 |
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| 摘 要： | 中国古代漆画中抽象特性是根植于中国传统文化的一种符号性的视觉语言,中国古代哲学、美学的抽象特性造就了漆画内在的抽象特性,"抽象特性"是中国古代漆画重要的"文化基因".时至今日,"抽象"依然是中国现代漆艺中最具表达力的艺术语言.
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| 关 键 词： | 古代漆画 抽象艺术 漆画 文化传统 文化基因 |
| 文章编号： | 1000-5285（2007）05-0121-03 |
| 修稿时间： | 2007-05-15 |
Tradition of Nonobjectivism and Traditional Nonobjectivism——on the Nonobjectivism of Chinese Ancient Lacquer Painting |
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| WANG Tian-liang.Tradition of Nonobjectivism and Traditional Nonobjectivism——on the Nonobjectivism of Chinese Ancient Lacquer Painting[J].Journal of Fujian Normal University(Philosophy and Social Sciences Edtion),2007(5):121-123. |
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| Authors: | WANG Tian-liang |
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| Institution: | Art Department, Minjiang College, Fuzhou 350108, China |
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| Abstract: | Chinese ancient lacquer painting is a kind of symbolically visual language, which is rooted from Chinese traditional culture. Nonobjectivism existing in Chinese ancient philosophy and aesthetics contribute to the intrinsic abstract characteristics of lacquer painting. Nonobjectivism is an important "cultural gene" of Chinese ancient lacquer painting and is still the most expressional artistic language until now. |
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| Keywords: | ancient lacquer painting nonobjectivism lacquer painting cultural tradition cultural gene |
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