| 迷狂魂灵的温情拯救和苦难的诗意表达——电影《泥鳅也是鱼》的审美文化分析 |
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| 引用本文： | 孔海洋.迷狂魂灵的温情拯救和苦难的诗意表达——电影《泥鳅也是鱼》的审美文化分析[J].温州大学学报(社会科学版),2007,20(5):74-77. |
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| 作者姓名： | 孔海洋 |
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| 作者单位： | 温州大学人文学院 浙江温州325035 |
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| 摘 要： | 影片《泥鳅也是鱼》运用充满能指意味的影像语言,生动地诠释了意志的本质就是痛苦的生命意志理论。同时,影片认为艺术和禁欲并非救赎苦难的良方,似水温情才是这群风雨飘摇中的民工赖以寄托希望的美丽港湾。
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| 关 键 词： | 《泥鳅也是鱼》 杨亚洲 生命意志 |
| 文章编号： | 1008-309X（2007）05-0074-04 |
| 修稿时间： | 2006-12-21 |
Tender Deliverance of the Stray Soul and Poetic Expression of Suffering——Cultural Analysis of the Movie Loach Also Is Fish |
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| KONG Haiyang.Tender Deliverance of the Stray Soul and Poetic Expression of Suffering——Cultural Analysis of the Movie Loach Also Is Fish[J].Journal of Wenzhou University,2007,20(5):74-77. |
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| Authors: | KONG Haiyang |
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| Institution: | School of Humanities, Wenzhou University, Wenzhou, China 325035 |
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| Abstract: | The will theory refers to suffering is the essence of life was vividly implied by the film Loach Also is Fish. Meanwhile, the film points out that the art and abstinence is not an effective way to save the people who are in suffering, the tender warmth is a beautiful harbor where the crowd of precarious labourers places their hopes. |
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| Keywords: | Loach also is Fish Yang Yazhou Life will |
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