| 关于《点绛唇》(蹴罢秋千)的作者及解读 |
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| 引用本文： | 童向飞.关于《点绛唇》(蹴罢秋千)的作者及解读[J].淮阴师范学院学报(哲学社会科学版),2000(5). |
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| 作者姓名： | 童向飞 |
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| 作者单位： | 湖北大学人文学院!湖北武汉430062 |
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| 摘 要： | 文章对否定《点绛唇》 (蹴罢秋千 )一词为李清照所作的 ,前人成说逐一加以辩驳 ,认为还是暂将此词定为李清照作为妥 ,同时从词史发展的实际和古人对李词的解读出发 ,对学界将词中抒情主人公等同于词作者本人的倾向提出质疑 ,并在此基础上提出了词作解读的一般原则 ,认为“模糊性”的解读方法更符合文学鉴赏、文学接受的要求
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| 关 键 词： | 李清照 点绛唇 抒情主人公 模糊性 |
Reading on Rouged Lips (The Lass Gets off the Swing) and Research on Its Author |
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| TONG Xiang,fei.Reading on Rouged Lips (The Lass Gets off the Swing) and Research on Its Author[J].Journal of Huaiyin Teachers College(Social Sciences Edition),2000(5). |
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| Authors: | TONG Xiang fei |
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| Abstract: | Many scholars deny Rouged Lips (The lass gets off the swing) written by LI Qing zhao, but through disputing those predecessors' opinions one by one, this paper thinks the author of the ci poem is LI Qing zhao for the time being. This paper takes a sceptical attitude to the opinion on "Who expresses emotion in works who is the author of the work", and advances a new theory based on studying the developing state of Ci Poetry and the reading of our forefathers on LI Qing zhao's works that the indistinct reading is more tally with the needs of literature appreciation and acceptance. |
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| Keywords: | LI Qing zhao Rouged Lips (The lass gets off the swing) protagonist indistinct reading |
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