| 象形文字与中国古代文论 |
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| 引用本文： | 肖锋.象形文字与中国古代文论[J].乐山师范学院学报,2002,17(5):84-87. |
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| 作者姓名： | 肖锋 |
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| 作者单位： | 重庆师范学院,中文系,重庆,400047 |
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| 摘 要： | 在历史的进程中，中国古代论形成了自己的特点，其形成的原因是多方面的，本从探讨字与古代论的原点关系出发，认为其特点的形成与立象取比所造的象形字及由此形成的词义，语法特性密切相关。
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| 关 键 词： | 象形文字 中国 古代文论 立象 古典文学 文学批评 |
| 文章编号： | 1009-8666(2002)05-0084-04 |
| 修稿时间： | 2002年4月11日 |
Pictograph and Classicical Chinese Literary Theory |
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| XIAO Feng.Pictograph and Classicical Chinese Literary Theory[J].Journal of Leshan Teachers College,2002,17(5):84-87. |
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| Authors: | XIAO Feng |
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| Abstract: | During the procession of history, Classicical Chinese literary theory developed its distinguishing features in many ways. This article starts from original spot of relationship between characters and classical literary theory, and thinks that the formation of its distinguishing features is intimately interrelated with pictograph that is created by making-image and analogy and the meaning of a word and grammatical features that were formed by pictograph. |
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| Keywords: | making-image analogy pictograph classical Chinese literary theory |
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