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庄子论美
引用本文:钱万民.庄子论美[J].楚雄师范学院学报,2001,16(1):14-17.
作者姓名:钱万民
作者单位:楚雄师范高等专科学校,云南,楚雄,675000
摘    要:道家学派的庄子认为“道”是宇宙万物的根本,它无所不在,无所不为。“道”使一切事物显得自然而然,好象事物本来就如此。“道”是最高的审美境界,自然美是庄子美学的核心。庄子的美学观对中国美学史的发展具有深远的影响,与儒家一道奠定了汉民族的文化心理结构。中国哲学史的主要论题和基本观念,不少是引发于庄子,无疑的,在社会思想和人生态度上,庄子的思想对后人亦起着深远的影响。

关 键 词:  美与真的一致性  自然美  人与自然合一  自由为美  自然率真
文章编号:1008-5068(2001)01-0014-04
修稿时间:2000年9月22日

Zhuangzhou on aesthetics
QIAN Wanmin.Zhuangzhou on aesthetics[J].journal of chuxiong normal university,2001,16(1):14-17.
Authors:QIAN Wanmin
Institution:QIAN Wanmin
Abstract:As an Taoist, Zhuangzhou thinks that the Tao (meaning "the wa y") is the essence of the universe and is thus ubiquitous and almighty, making sure that everything exist the way that is. Together with Confucianism, his aesthetic idea s, that the Tao is the highest aesthetic standard with natural beauty as its cor e, are of far-reaching influence on the development of Chinese aesthetics and ha ve always been the foundation on which the Chinese cultural and psychological fr amework develops and from which many of the basic Chinese philosophical notions and concepts derive. His thought on social ideas and living attitudes has, doubt lessly, cast profound influence of generations of Chinese to come.
Keywords:Tao  unity of beauty and truth  unity of man and na ture  beauty in freedom  naivety
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