| 郭祥正的诗歌创作与道教 |
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| 引用本文： | 卢晓辉.郭祥正的诗歌创作与道教[J].滁州学院学报,2009,11(3):9-11,18. |
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| 作者姓名： | 卢晓辉 |
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| 作者单位： | 南京师范大学文学院,江苏,南京,210024 |
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| 基金项目： | 安徽省教育厅人文社科资助项目 |
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| 摘 要： | 郭祥正的诗歌创作与道教有着密切的关系,且道教对郭氏前后期诗歌创作的影响是变化的:前期的影响是外在形式化的,如意象运用、超现实的艺术手法;后期的影响是在内在精神层面上的,如逍遥物外的思想等。这种影响的变化也直接导致诗风前后的变化,从而破除传统文学史上对于郭氏诗歌的成见。
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| 关 键 词： | 郭祥正 道教 神仙 老庄 |
On Guo Xiangzheng's Poetic Composition and Taoism |
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| LU Xiaohui.On Guo Xiangzheng's Poetic Composition and Taoism[J].Journal of Chuzhou University,2009,11(3):9-11,18. |
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| Authors: | LU Xiaohui |
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| Institution: | College of Humanities;Nanjing Normal University;Nanjing 210024;China |
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| Abstract: | There is a great relationship between the Taoism and Guo Xiangzheng's poetic composition and the influence of Taoism on his poetry creation is changeable.In the former phase,the influence is externally formal with the use of imagery and supernatural artistry.In the later phase,it is internally spiritual,for example being hermitical.The change leads to the variation of his poetic style.So we can discard the bias against the poetry of Guo Xiangzheng. |
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| Keywords: | Guo Xiangzheng Taoism supernatural being Laozi and Zhuangzi |
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