| 关于艺术歌曲及其在中国传播的美学思考 |
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| 引用本文： | 黄腾鹏.关于艺术歌曲及其在中国传播的美学思考[J].西北师大学报,2002,39(5):150-153. |
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| 作者姓名： | 黄腾鹏 |
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| 作者单位： | 西北师范大学音乐系 甘肃兰州730070 |
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| 摘 要： | 艺术歌曲作为一种起源于 19世纪初德奥的声乐体裁 ,有其独具的审美特征、形式结构特点和重情表现的音乐风格。由于具有浓郁的文人气质和“阳春白雪”的高雅情韵 ,在半个多世纪战乱的年月里 ,在建国后历次政治运动的冲击下 ,中国的艺术歌曲创作难以传播开来。而在新的时代条件下 ,对艺术歌曲及其在中国传播进行美学思考 ,则是势所必然。
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| 关 键 词： | 艺术歌曲 传播 美学思想 |
| 文章编号： | 1001-9162(2002)05-0150-04 |
| 修稿时间： | 2001年9月14日 |
Aesthetic Reflections on the Artistic Song and its Dissemination in China |
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| HUANG Teng,peng.Aesthetic Reflections on the Artistic Song and its Dissemination in China[J].Journal of the Northwest Normal University(Social Sciences),2002,39(5):150-153. |
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| Authors: | HUANG Teng peng |
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| Abstract: | As one of the forms of vocal music,the artistic song possesses its aesthetic uniqueness,its structure features and its music style of centering on affection.Due to its strong human nature and refined charm,the creation of the artistic song in china was hard to be disseminated in the war times and the periods of the political movements.However,nowadays it is necessary and inevitable to make aesthetic reflections on the artistic song and its dissemination in china. |
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| Keywords: | Artistic song dissemination aesthetic reflection |
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