| 吴吴山三妇合评《牡丹亭》之文化考察 |
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| 引用本文： | 张筱梅.吴吴山三妇合评《牡丹亭》之文化考察[J].徐州师范大学学报(哲学社会科学版),2012,38(5):35-40. |
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| 作者姓名： | 张筱梅 |
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| 作者单位： | 江苏师范大学文学院,江苏徐州,211116 |
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| 基金项目： | 江苏省社会科学基金项目“中国古代戏曲文本传播研究”(项目编号:08YS002)阶段成果 |
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| 摘 要： | 清朝康熙年间出版的吴吴山三妇合评《牡丹亭》是目前完整保留下来的最早的女性对这一剧本的评点。这个评本的产生蕴含着丰富的文化因素:其一是关于女性戏曲评点的能力问题。在三妇评点的真实性方面,以往学者认为三妇根本没有对戏剧作品进行评点的能力,所谓合评其实是吴人代作。但明清时期许多女性读者评点《牡丹亭》的事实以及评语表现出的不同的性格特点都表明,这部评点是吴吴山与其妻子们共同完成的,有夫妻"唱和"式创作的特点。其二是明清时期文化人的理想婚姻以及文学对夫妻关系的表现。随着明清社会新思潮的发展,越来越多的文化人开始抛开礼法的约束,在自己的文学作品中展现夫妇之情,表现了对理想的伙伴式婚姻关系的追求。吴人将夫妻共同评阅《牡丹亭》的韵事公之于众,肯定了妻子们的才华,展现了夫妻间文艺与情感上的共鸣。其三是关于女性文学传播意识的变化。这个评点本的刊刻出版,在女性文学传播观念方面意义深远。之前的女性戏曲评点甚至诗文等文学创作,常常只在闺阁女性或亲族好友等小圈子中流传,明末清初的文学女性开始认识到文字印刷可以使女性创作走入公共领域。钱宜推动了三妇评点的出版,实现了女性戏曲评点的大众传播。
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| 关 键 词： | 吴吴山三妇 合评 《牡丹亭》 唱和式评点 理想婚姻 传播意识 |
Investigation the Culture Research of Peony Pavilion by Three Wives of Wu Wu-shan |
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| ZHANG Xiao-mei.Investigation the Culture Research of Peony Pavilion by Three Wives of Wu Wu-shan[J].Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition),2012,38(5):35-40. |
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| Authors: | ZHANG Xiao-mei |
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| Institution: | ZHANG Xiao-mei(School of Chinese Studies,Jiangsu Normal University,Xuzhou 221116,China) |
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| Abstract: | It a completion impact factor that the Wu Wu-shan’s three wives to comment the drama which name was Peony Pavilion during the Kangxi years of Qing dynasty.It contained abundant culture factor in this comment,and firstly was the question of ability for commentaries on opera by women.Most researchers consider that the three wives of Wu Wu-shan were not having the ability to comment the commentaries on opera and believe that the joint evaluation was written by Wu.However,many women that lived in Ming and Qing dynasty comment the Peony Pavilion and the difference traits of character in their remarks showed that the commentaries on the Peony Pavilion by Wu Wu-shan and his wives was really.It had the characteristic about husband and wife respond type creation.Secondly was the expression of the relational of cultural man and idea marriage in the Ming-Qing Dynasty.More and more cultural men had expressed love in their literature and drift away the restrain the law and discipline rite to seek the ideal marriage.In fact,Wu Wu-shan wanted every one of the day to know his wives had a literary of artistic talent for literature and indicated that he and his wives were have a resonance emotionally.Thirdly,the recognizant of feminine literature was changed.At first,the feminine literature,even literary creations were only spread in the boudoir or members of the family.In the missionaris,the literary feminine had realized that the literary creation could impel their integration the public domain.However,Qian yi which one of his three wives had positive attitude for this comment and it showed the literature-spreading consciousness of women-writer was began to appear. |
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| Keywords: | three wives of Wu Wu-shan criticism together "Peony Pavilion" ideal marriage spread awareness |
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