| 巢湖民歌调式特点及调式中倾徵倾羽现象研究 |
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| 引用本文： | 申育林.巢湖民歌调式特点及调式中倾徵倾羽现象研究[J].合肥教育学院学报,2013(3):95-99. |
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| 作者姓名： | 申育林 |
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| 作者单位： | 安徽广播影视职业技术学院影视艺术系,合肥230022 |
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| 基金项目： | 安徽省社会科学规划项目“非物质文化遗产--巢湖民歌研究”（AHSK11-12D89）系列研究成果之一. |
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| 摘 要： | 巢湖民歌调式以徵、羽两类为主。在这两类巢湖民歌中，调式特点是：同宫系统五声徵、羽调武色彩相融相生、交替进行。从调式构成上看，这种特点不仅表现在乐段、乐句之间，也表现在乐句之中。处理方法是：第一，“2”音的功能角色转换，第二，直接游移。在为数不多的宫、商、角三调式中，从调性色彩上看，倾徵、羽色彩现象特点非常明显。
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| 关 键 词： | 巢湖民歌 调式 倾徵 倾羽 |
On Mode Features of Chaohu Folk Songs |
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| Authors: | SHEN Yu-lin |
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| Institution: | SHEN Yu-lin (Department of Movie and Television Arts, Anhui Broadcasting Movie and Television College, Hefei 230002, China) |
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| Abstract: | Two main modes of Chaohu folk songs are Zhi and Yu whose mode features pentatonic scale of Zhi and Yu in the same Gong system are mixed and alternative. From the perspective of mode composition, the feature lies in periods and phrases and even between phrases. The handling methods include transforming Re tune＇s function and type of role and wavering directly. From the perspective of tone and manner feature, in the few three modes of Gong, Shang and Jue, Zhi and Yu tendency is very clear. |
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| Keywords: | Chaohu folk song mode feature Zhi tendency Yu tendency |
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