| 互文性视域中的《风雅颂》解读 |
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| 引用本文： | 孟令花.互文性视域中的《风雅颂》解读[J].石家庄学院学报,2012,14(1):54-59. |
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| 作者姓名： | 孟令花 |
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| 作者单位： | 河南大学文学院,河南开封,475001 |
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| 摘 要： | 《风雅颂》不仅与《诗经》构成了互文性关系，还与《圣经》文本和“梁祝化蝶”典故形成了互文性关系。这种互文性关系不仅在于它们之间的相似性，更在于小说对原典的“误读”和“修改”，即小说中丑恶现象和美好的《诗经》世界的背离、杨科对耶稣形象的解构、玲珍和杨科之间的关系与梁祝之间美好的爱情对比形成了反讽的美学效果。这部小说说明了如今的社会已没有神圣、崇高和爱情的立足之地，表明了作者对城市和乡村的双重批判态度。
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| 关 键 词： | 《风雅颂》 互文性 反讽 |
On Fengya Song from the Intertextual Perspective |
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| MENG Ling-hua.On Fengya Song from the Intertextual Perspective[J].Journal of Shijiazhuang University,2012,14(1):54-59. |
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| Authors: | MENG Ling-hua |
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| Institution: | MENG Ling-hua; |
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| Abstract: | Fengya Song has intertextual relations not only with the Book of Songs，but also with the Bible and “Liang-Zhu Love Story”. The intertextual relations lie in the similarity of them，but mostly depend on the novel’s “misreading” and “modification” of the original texts，that is，the departure of the novel’s evil phenomenon from the beautiful world of the Book of Songs，Yangke’s deconstruction of the image of Jesus，the relationship between Lingzhen and Yangke in contrast to the beautiful love of Liang Shanbo and Zhu Yingtai. All of these form an ironic aesthetic effect，indicating that there is no noble，sacred and love in modern society，and that the author takes a critical attitude both to the city and the country. |
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| Keywords: | Fengya Song intertextuality irony |
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