| 文艺复兴时期欧洲合唱艺术繁荣之外部动因 |
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| 引用本文： | 麻华.文艺复兴时期欧洲合唱艺术繁荣之外部动因[J].襄樊学院学报,2014(7):82-85. |
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| 作者姓名： | 麻华 |
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| 作者单位： | 湖北文理学院音乐学院; |
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| 摘 要： | 合唱作为早期欧洲音乐的主要表现形式,在经历了中世纪时期神秘主义观念和宗教统治的特殊时期后,受文艺复兴时期“人文主义”、“宗教改革”、“世俗音乐”、“科学进步”等外部因素的影响,开始出现专职合唱写作人员和演唱人员,音乐家们逐渐放弃中世纪神秘主义观念,开始尝试使合唱作品真实地为世俗的人们带来快乐和享受。促成了合唱在文艺复兴时期的繁荣局面。
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| 关 键 词： | 文艺复兴 欧洲 音乐合唱艺术 |
External Reasons for Prosperity of Chorus Art in the Renaissance Period |
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| MA Hua.External Reasons for Prosperity of Chorus Art in the Renaissance Period[J].Journal of Xiangfan University,2014(7):82-85. |
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| Authors: | MA Hua |
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| Institution: | MA Hua (Music School, Hubei University of Arts and Science, Xiangyang 441053, China) |
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| Abstract: | In the Middle Ages, Chorus, as the main form of early European music, was controlled by mysticismand religion. Then, in the Renaissance Period, affected by humanism, religious reform and worldly music, andscientific progress, some professional persons majoring in composition and singing were brought into being. The mu-sicians began to abandon the mysticism gradually and paid much attention to true happiness and entertainment forworldly people, which promoted the prosperity of chorus in the Renaissance Period. |
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| Keywords: | The Renaissance European music Chorus art |
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