| 审美形式:艺术之本——浅探西方现代艺术理论走向 |
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| 引用本文： | 卢晓,罗显克.审美形式:艺术之本——浅探西方现代艺术理论走向[J].南宁师范高等专科学校学报,2007,24(2):40-43. |
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| 作者姓名： | 卢晓 罗显克 |
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| 作者单位： | 广西大学行健文理学院 广西南宁530004(卢晓)，南宁师范高等专科学校中文系 广西龙州532400(罗显克) |
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| 摘 要： | 随着现代艺术的发展,二十世纪的现代艺术理论提出"审美形式"这一美学范畴,它的提出在理论上是对传统的形式与内容相割裂且形式依附内容的机械的形式观和二十世纪形式主义的绝对的形式观的扬弃。所谓的"审美彤式"是指对内容进行整合的艺术形式,是内容化了的形式,它是艺术的整体性表现,也即艺术本身,审美形式是艺术存在的本质性标志,现代艺术理论把"审美形式"提到了艺术的本体论高度。而且,"审美形式"的提出给艺术的自律、艺术的批判性意识形态提供了本质性的依据。
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| 关 键 词： | 审美形式 内容 形式 本体论 |
| 文章编号： | 1008-696X（2007）02-0040-04 |
| 修稿时间： | 2007-04-25 |
Aesthetic Form:The Foundation of Artistry——On the Trend of Western Modern Artistic Theory |
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| Lu Xiao,Luo Xianke.Aesthetic Form:The Foundation of Artistry——On the Trend of Western Modern Artistic Theory[J].Journal of Nanning Junior Teachers College,2007,24(2):40-43. |
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| Authors: | Lu Xiao Luo Xianke |
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| Institution: | 1.XingJian College of Science and Liberal Arts, Guangxi University, Nanning, Guangxi530004; 2.Chinese Dept Nanning Teachers College, Chongzuo, Guangxi 532400 |
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| Abstract: | With modem artistry developing,modern artistic theory puts forward aesthetic form. Theoretically,its proposal is a critical discarding of the traditional mechanical formulation that form separates from content,and attaches to content,and the absolute formulation of 20th century formalism.Aesthetic form,a content formulation,is the artistic form of integration of content,and is a kind of overall artistry,artistry itself. Artistic form inherent is essential mark of artistry existent,and is raised to artistic ontology by modem artistic theory.In addition,the proposal of aesthetic form gives the essential evidence to self-discipline and critical ideology of artistry. |
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| Keywords: | aesthetic form content form ontology |
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