| 郭沫若的史剧观与唯美——阐释学批评 |
| |
| 引用本文： | 宋宝珍.郭沫若的史剧观与唯美——阐释学批评[J].邵阳学院学报(社会科学版),2002(5). |
| |
| 作者姓名： | 宋宝珍 |
| |
| 作者单位： | 中国艺术研究院话剧研究所 北京 |
| |
| 摘 要： | 文章对中国现代历史剧作家郭沫若的史剧观做了综合的分析与评价 ,指出了他诗、史结合的创作方法对中国现代戏剧的理论贡献 ,揭示了其“失事求似”的史剧理念的合理性 ,但对其在艺术实践中的偏颇和失度 ,予以客观分析和批评 ,勾勒了他由唯美主义的艺术观念向阐释学批评转变的思想轨迹。
|
| 关 键 词： | 诗剧 史剧 史剧观 批评 |
On Guo moruo's History Drama Theory and Aestheticism |
| |
| SONG Baozheng.On Guo moruo''''s History Drama Theory and Aestheticism[J].Journal of Shaoyang University:Social Science,2002(5). |
| |
| Authors: | SONG Baozheng |
| |
| Abstract: | This article is about the theory of Guo Moruo,the famous history drama writer,who wrote many plays on Chinese history.He connected the poems and history together,and contributed a lot to the modern Chinese drama.This article does a general analyze on his theory of art and point out his short points in his practice. |
| |
| Keywords: | drama in verse history drama history drama theory Criticism |
| 本文献已被 CNKI 维普 等数据库收录！ |
|
