| 论莫言小说叙事视角选择的美学意蕴 |
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| 引用本文： | 彭祖鸿.论莫言小说叙事视角选择的美学意蕴[J].扬州职业大学学报,2004,8(3):22-25. |
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| 作者姓名： | 彭祖鸿 |
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| 作者单位： | 罗定职业技术学院,广东,罗定,527200 |
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| 摘 要： | 独特的叙事视角使莫言的小说具有与众不同的美学风格。儿童叙事视角带领读进入到明净绚丽的自然状态；成人视角使读领受了多角度思维的快感和想象的愉悦；亲缘叙事视角则让人们得到穿梭于时空的美感以及对种族退化的忧虑。莫言是中国传统美学和西方现代写作技巧的感性传承人。
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| 关 键 词： | 莫言小说 儿童视角 成人视角 亲缘叙述视角 美学意蕴 |
| 文章编号： | 1008-3693(2004)03-0022-04 |
| 修稿时间： | 2003年11月4日 |
On the Aesthetic Implication of Selecting the Narrative Perspectives in Moyan's Fictions |
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| PENG Zu-hong.On the Aesthetic Implication of Selecting the Narrative Perspectives in Moyan''''s Fictions[J].Journal of Yangzhou Polytechnic College,2004,8(3):22-25. |
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| Authors: | PENG Zu-hong |
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| Abstract: | Moyan's fictions are of distinctive aesthetic style because of his unique narrative perspectives. The child's perspective leads the readers to the state of nature, which is liquid and florid, and the adult's perspective makes the readers feel the delight of thinking in many ways such as the joy of imagination, while the kinship's perspective makes people have the aesthetic feelings of shuttling back and forth in time and space and the anxiety of degeneration of race. Moyan is the perceptual inheritor of not only Chinese traditional Aesthetics but also western modern writing skills. |
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| Keywords: | Moyan's fictions the child's perspective the adult's perspective the kinship's narrative perspective aesthetic implication |
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