| 新生代电影中分裂的父亲形象 |
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| 引用本文： | 郝延斌.新生代电影中分裂的父亲形象[J].南京师范大学文学院学报,2006(3):89-93. |
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| 作者姓名： | 郝延斌 |
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| 作者单位： | 北京师范大学,艺术与传媒学院,北京,100875 |
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| 摘 要： | 在中国当代新生代导演电影作品中,传统的父亲形象被重新书写。通过对父亲形象的不同书写策略的解析,着重探讨了这一传统形象的新变。文中指出父亲形象在电影中的表达,与新生代导演的文化立场、创作态度和市场遭遇具有某种同构关系。
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| 关 键 词： | 新生代导演 父亲形象 书写策略 |
| 文章编号： | 1008-9853(2006)03-089-05 |
| 收稿时间： | 04 21 2006 12:00AM |
| 修稿时间： | 2006年4月21日 |
The Broken Image of Father in Films of the New Age |
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| Hao Tingbin.The Broken Image of Father in Films of the New Age[J].Journal of Chinese Language and Culture School Nanjing Normal University,2006(3):89-93. |
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| Authors: | Hao Tingbin |
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| Institution: | Hao Tingbin |
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| Abstract: | In the works of Chinese New Age directors,the traditional image of father has changed.Through analyzing the different strategies of writing,the article addresses the new change in some detail,and presents that the expression of father 's image in the films has some relationship with the cultural position of the New Age directors,the creative attitude,and the market situation. |
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| Keywords: | the New Age directors image of father writing strategy |
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