| 元明之际吴中文人雅集方式与文人心态的变迁——以《听雨楼图卷》、《破窗风雨卷》为例 |
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| 引用本文： | 周海涛.元明之际吴中文人雅集方式与文人心态的变迁——以《听雨楼图卷》、《破窗风雨卷》为例[J].山西师大学报,2010,37(1). |
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| 作者姓名： | 周海涛 |
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| 作者单位： | 首都师范大学,文学院,北京,100037 |
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| 摘 要： | <听雨楼图卷>、<破窗风雨卷>展示的是元末吴中文人的一场诗歌盛会.它们的形成是元末吴中文人雅集结社的变相延续,是继"玉山雅集"、"北郭诗社"后又一次大规模的文人题咏活动.但和前二者"同时同地"的方式相比,它又呈现出了新的特点--异时、异地、同题题咏,即"异地同调".这种题咏方式的出现,既折射了时代变迁下吴中文人雅集方式的新变,也表征了吴中文人心态的新变,以及不同心态影响下文学思想的变迁,具有独特而丰富的诗学意义与审美内涵.
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| 关 键 词： | 雅集结社 异地同调 文人心态 诗学思想 |
The Poetic Significance of The Poetic Painting of Attics in Rain and The Poetic Painting of Shabby Window Swaying in the Storm |
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| ZHOU Hai-tao.The Poetic Significance of The Poetic Painting of Attics in Rain and The Poetic Painting of Shabby Window Swaying in the Storm[J].Journal of Shanxi Teachers University,2010,37(1). |
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| Authors: | ZHOU Hai-tao |
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| Institution: | ZHOU Hai-tao(School of Humanities,Capital Normal University,Beijing 100037,China) |
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| Abstract: | The Poetic Painting of Attics in Rain and The Poetic Painting of Shabby Window Swaying in the Storm are a poetic scene of graceful assembly on the late stage of Yuan Dynasty among the literatis in Wuzhong area.The forming of two pictures is the disguised and extending assembly among the literatis in Wuzhong area.They have some new characteristics that the literatis sing in variant places at different times.Meanwhile,they intone the same themes and similar chant.The variant places and the same themes symboli... |
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| Keywords: | graceful assembly variant places and the same themes the mentality of literatis the literaturial theory |
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