| 《诗经·国风》婚恋诗中的女性形象分析 |
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| 引用本文： | 姚明亮.《诗经·国风》婚恋诗中的女性形象分析[J].渭南师范学院学报,2012(1):99-102. |
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| 作者姓名： | 姚明亮 |
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| 作者单位： | 渭南师范学院 |
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| 基金项目： | 渭南师范学院科研计划项目 |
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| 摘 要： | 通过对《诗经.国风》婚恋诗中绎析知道:先民们从人类第一次理性觉醒中暂获解放,并且能够坦诚面对自己本真的情感。其中作为婚恋主体中最为重要的女性形象,在受到周时的经济、政治、文化、习俗的影响和牵制下,能以自身特质的情感将此阶段中的女性推入文学的长河。
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| 关 键 词： | 《诗经·国风》 婚恋诗 女性形象 |
Analysis of the Female Images in the Affection Poem Guofeng Section in Book of Poetry |
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| YAO Ming-liang.Analysis of the Female Images in the Affection Poem Guofeng Section in Book of Poetry[J].Journal of Weinan Teachers College,2012(1):99-102. |
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| Authors: | YAO Ming-liang |
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| Institution: | YAO Ming-liang (Weinan Normal University,Weinan 714000,China) |
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| Abstract: | Through the interpretation of the affection poem Guofeng Section in Book of Poetry,the classics of the folk song collection in Zhou Dynasty,the paper concludes that ancestors awaked in their emotional world for the first time and could face their real sentiment honestly.As the main character in the love and marriage,female,with their own unique sentiment,started to be involved in the literature works in this period along with the historical restraint of economy,politics,culture and custom in Zhou Dynasty. |
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| Keywords: | Guofeng Section in Book of Poetry affection poem female images |
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