| 艺术桥,彼岸花——《海浪》的后现代主义解读 |
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| 引用本文： | 廖白玲.艺术桥,彼岸花——《海浪》的后现代主义解读[J].宁波广播电视大学学报,2011,9(3):8-11. |
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| 作者姓名： | 廖白玲 |
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| 作者单位： | 厦门大学外文学院,福建厦门,361005 |
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| 摘 要： | 弗吉尼亚·伍尔夫的高度实验性作品《海浪》集小说、戏剧、散文、诗歌等体裁于一体,书写了对现代社会本体不确定性的哲学问思,同时流露出作者颠覆叙述权威、调整叙述策略的迫切需求。模糊交叠的体裁类别、本体论倾向的主题思想、自省式的元小说叙事特质汇聚成流淌于《海浪》文本之中欲与传统决裂的后现代暗涌。《海浪》的后现代主义元素彰显了伍尔夫力图走出现代文学表述困境的突围之举,折射出她作为小说家和评论家的具有前瞻性的文学理念,为找寻未来理想的文艺之花铺路架桥。
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| 关 键 词： | 《海浪》 后现代主义 体裁 本体论 元小说 |
Postmodernist Features in The Waves |
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| LIAO Bai-ling.Postmodernist Features in The Waves[J].Journal of Ningbo Radio & TV University,2011,9(3):8-11. |
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| Authors: | LIAO Bai-ling |
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| Institution: | LIAO Bai-ling(College of Foreign Languages and Cultures,Xiamen University,Xiamen 361005,Fujian,China) |
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| Abstract: | In the highly experimental work The Waves,the author Virginia Woolf blurs the distinction of genres and creates a synthesis of novel,drama,prose and poetry.The Waves reveals a profound sense of ontological uncertainty and the author＇ s urgent need to subvert the narrative authority and alter the narrative strategy.The blurring and blending of genres,the ontological concern of the themes,and the self-reflexive metafictional narrative jointly present as the postmodernist elements indicating a break with the traditions.Therefore,The Waves is a manifestation of Woolf＇s endeavor to find a way out of the predicament of modernist representation and a reflection of her visionary and insightful literary theory as a novelist and critic.With the creation of The Waves Woolf expects to pave the way for the ideal modes of literary creation in the future. |
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| Keywords: | The Waves Postmodernism Genre Ontology Metafiction |
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