| 重写:文学文本的经典化途径 |
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| 引用本文： | 黄大宏.重写:文学文本的经典化途径[J].陕西师范大学学报(哲学社会科学版),2006,35(6):93-98. |
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| 作者姓名： | 黄大宏 |
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| 作者单位： | 西南大学,文学院,重庆,北碚,400715 |
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| 摘 要： | 所谓文学经典,不一定是最有价值的,但一般是具有最强的传播力度、最广泛的接受群与最明显的接受效果的文学文本。文学经典在很大程度上是由持续的重写行为,也即持续的审美阐释及审美再创造行为所造就的,它是有效发挥文学的继承与发展关系、传播与接受效应的一个重要成果。重写观念认为,文学的创造与影响寓于文学的接受之中。以文学接受为前提的重写,融合创作、批评、传播、阐释方式于一体,并在中国古代文化背景下促成了雅文学成果的下移,是促成文学文本经典化的重要途径之一。
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| 关 键 词： | 文学审美 文学经典 文本 经典化 |
| 文章编号： | 1672-4283(2006)06-0093-06 |
| 修稿时间： | 2006年3月20日 |
Rewriting: Classicizing Means for Literary Text |
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| HUANG Da-hong.Rewriting: Classicizing Means for Literary Text[J].Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition),2006,35(6):93-98. |
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| Authors: | HUANG Da-hong |
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| Abstract: | Necessarily most valuable as they are not, literary classics must be those literary texts with the most powerful dissemination, broadest audience and more obvious effect of acceptability. In this sense, literary classics have been established to a great degree by continuous rewriting, that is, by constant aesthetic interpretation and steady aesthetic recreation. The view of writing insists that literary creation and influence is embodied in acceptability. As a result, rewriting, which depends largely upon acceptability and merges writing, criticism, dissemination and interpretation all in a single course, encouraged popularization and classicization of literature. |
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| Keywords: | literary appreciation literary classics text classicization |
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