| 诗乐离合与词体确立 |
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| 引用本文： | 汪聚应.诗乐离合与词体确立[J].陕西师范大学学报(哲学社会科学版),2000(4). |
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| 作者姓名： | 汪聚应 |
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| 作者单位： | 陕西师范大学文学院!陕西西安710062 |
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| 摘 要： | 探讨词体生成的诗源说和乐源说都有偏颇。从四、五、七言诗体形成与音乐的关系以及隋唐燕乐歌辞的发展可看出词体确立是诗乐离合嬗变发展的产物。词主要是在音乐的带动和诗乐结合传统的滚动发展以及文人歌妓联手催生等一系列社会文化条件的综合作用下产生的。
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| 关 键 词： | 诗乐离合 词体 燕乐歌辞 |
The Separation and Combination of Poems and Music and the Establishment of the Style of Rimed Verses |
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| WANG Ju ying.The Separation and Combination of Poems and Music and the Establishment of the Style of Rimed Verses[J].Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition),2000(4). |
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| Authors: | WANG Ju ying |
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| Abstract: | There are partialities both in the study of poetic origin and music origin. The establishment of the style of rimed verses is be lieved to have been a product from the separation, combination, alteration and development of poems and music in terms of the relationship between the formati on of four character, five character and seven character verses and music and of the development of the wording of court music. Under the drive of music, rimed verses were generated by the comprehensive effects from a series of socio cult ural conditions such as the energetic development of the tradition of combining p oems with music and the joint work on the part of poets and singers. |
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| Keywords: | the separation and combination of poems and music the style of rimed verses the wording of court musi@ |
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