| 【新水令】曲牌风格流变探析 |
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| 引用本文： | 王方好,阎方正.【新水令】曲牌风格流变探析[J].保定学院学报,2020(1):85-91. |
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| 作者姓名： | 王方好 阎方正 |
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| 作者单位： | 安徽大学艺术学院;华南师范大学文学院 |
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| 摘 要： | 曲牌【新水令】由同名词牌演化而来,最初被运用在南戏《张协状元》之中,用于表达慷慨激越的感情风格。该曲牌具有较强的灵活性,从元代到清代,其题材不断被拓宽,感情色彩也不断发生变化,不再局限于慷慨激越的声情风格,表达的情感也更为丰富。分析梳理【新水令】这一曲牌在元明清三代的风格变化,可以对其有更为深入的了解,亦有助于对于曲史样式的研究。
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| 关 键 词： | 曲牌 [新水令] 声情 中国戏曲史 |
Analysis on the Change of Tune Style Xinshui Ling |
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| Wang Fanghao,Yan Fangzheng.Analysis on the Change of Tune Style Xinshui Ling[J].Journal of Baoding UNIVERSITY,2020(1):85-91. |
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| Authors: | Wang Fanghao Yan Fangzheng |
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| Institution: | (School of Arts,Anhui University,Hefei,Anhui 230601,China;School of Literature,South China Normal University,Guangzhou,Guangdong 510006,China) |
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| Abstract: | The tune Xinshui Ling evolved from the same name brand and was initially used in the Southern Opera Zhang Xie Zhuangyuan to express the emotional style of generosity and gratitude.From Yuan Dynasty to Qing Dynasty,Xinshui Ling has been constantly broadening its theme and changing its emotional color,breaking the tone style dominated by generosity and excitement,and expressing more abundant emotions.This paper analyses and arrange the style changes of Xinshui Ling in Yuan,Ming and Qing Dynasties.We can have a deeper understanding of Xinshui Ling,which is of great significance to the study of the style of history of Chinese traditional opera. |
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| Keywords: | tune Xinshui Ling voicet history of Chinese traditional opera |
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