| 赵孟頫"古意"说对现今艺术创作的启示与意义 |
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| 引用本文： | 陈熙.赵孟頫"古意"说对现今艺术创作的启示与意义[J].天水师范学院学报,2005,25(6):75-77. |
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| 作者姓名： | 陈熙 |
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| 作者单位： | 西北师范大学,敦煌艺术学院,甘肃,兰州,730070 |
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| 摘 要： | "作画贵有古意"是元代赵孟頫针对南宋末流院体画过于精丽巧密、脱离现实、绘画衰退等现象提出的一种艺术观点,并在其艺术创作中予以实践.对于这一理论,历来褒贬不一.其实,赵孟頫并不是脱离现实的复古者,他所谓"师古"就是掌握传统技法;而"师造化"则是反映现实.对现今的艺术家而言在创作中弘扬"古意"说对创作出好作品具有重要意义.
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| 关 键 词： | 古意 语义 艺术创作 |
| 文章编号： | 1371-1351(2005)06-0075-03 |
| 修稿时间： | 2005年10月3日 |
The enlightenment and significance of Zhao MengFu's theory of paintings' antique style to present artistic creation |
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| Chen Xi.The enlightenment and significance of Zhao MengFu's theory of paintings' antique style to present artistic creation[J].Journal of Tianshui Normal University,2005,25(6):75-77. |
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| Authors: | Chen Xi |
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| Abstract: | "paintings are highly valued for its antique style and taste" is a kind of artistic viewpoint of Zhao Meng Fu in Yuan dynasty,which was directed against the minor palace-style painting in South Song dynasty.It was characterized by delicacy and losing contact with reality and the decadence of painting.He also put it into practice in his artistic creation.This theory has always been treated with different attitudes.This article mainly deals with the re-understanding and re-recognition of the semantic meaning of " antique style" and advocates the significance of this theory to the present artistic creation. |
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| Keywords: | antique style semantic meaning artistic creation |
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