| 古琴论 |
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| 引用本文： | 邴露.古琴论[J].济宁师范专科学校学报,2011,32(2):116-118. |
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| 作者姓名： | 邴露 |
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| 作者单位： | 济宁学院音乐系,山东,曲阜,273155 |
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| 摘 要： | 古琴也被称为七弦琴,结构极其讲究,造型十分优美,其主要特色在于浑厚幽远的音色,宽广丰富的音域,富于多变的弹奏手法以及独特繁复的指法,是一件其他传统弹拨乐器无法比拟的融歌唱性与非歌唱性于一身的乐器。古琴艺术在漫长的历史进程中涌现出大批风格各异的古琴家、博大精深的古琴曲以及丰富绝伦的古琴理论,在当时的中国音乐史上有着举足轻重的地位,同时也受到现代社会人们的喜爱和关注。
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| 关 键 词： | 古琴 琴家 琴论 琴曲 |
ON Guqin |
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| BING Lu.ON Guqin[J].Journal of Jining Teachers College,2011,32(2):116-118. |
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| Authors: | BING Lu |
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| Institution: | BING Lu(Music Department of Jining University,Qufu 273155,China) |
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| Abstract: | Guqin is also called seven-stringed Chinese harp,the structure is extremely fastidious,and the shape is very elegant.The main characteristic of Guqin is that the timbre is vigorous and deep,musical range is broad and rich,performance technique is changeable,fingering mark is unique and complicated.Compared with other traditional plucked instruments Guqin is an incomparable musical Instruments,and it has strong expressive force.During the long history,Guqin art had created a large number of Guqin players of ... |
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| Keywords: | Guqin Guqin player Guqin theory Guqin music |
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