| 夏代干戚舞研究 |
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| 引用本文： | 段丽梅,徐健.夏代干戚舞研究[J].河北体育学院学报,2010,24(6):80-83. |
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| 作者姓名： | 段丽梅 徐健 |
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| 作者单位： | 河东文化研究中心运城学院体育系,山西运城044000 |
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| 基金项目： | 山西省河东文化研究省级课题子课题，运城学院院级课题 |
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| 摘 要： | 通过查阅参考民族史学、体育史学、体育理论、考古学等文献资料,对我国夏代干戚舞的内容、性质、表现形式与功能等进行系统研究。结果认为：夏代干戚舞主要以朝歌乐舞形式存在,用于祭祀祖先、天帝,充满巫术气息;其表现形式融舞蹈与鼓、石磬等乐器伴奏于一体;干戚舞在夏代有《九歌》、《万舞》等具体形式,其内容完整地反映了古代社会变革、祭祖的史实,以及用舞蹈宣扬历法文明的深厚文化底蕴和浓郁的民族风格。
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| 关 键 词： | 河东 干戚舞 夏朝 演变 |
Gan QI Dancing in Xia |
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| DUAN Li-mei,XU Jian.Gan QI Dancing in Xia[J].Journal of Hebei Institute of Physical Education,2010,24(6):80-83. |
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| Authors: | DUAN Li-mei XU Jian |
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| Institution: | (The Research Center Of Hedong Culture,PE Department,Yuncheng University,Yuncheng 044000,China) |
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| Abstract: | This paper studied the contents,nature and forms of expression of Gan QI dancing through consulting the history of minorities,history of sports,theory of sports and archaeology.Results： The Gan QI dancing of Xia dynasty,mainly existing in the form of dance and music in the capital of Chaoge,used to show worship to ancestors and heaven,full of witchcraft.Combining drum and stone resonator,Gan QI dancing,with Jiu Ge,Wan Wu as examples,reflected social reform and worship to God,publicized civilization of ancient Calendar with strong ethnic characteristics. |
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| Keywords: | Hedong GanQI dancing Xia dynasty variation |
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