| 析中日象征主义诗歌中的“物感”与“物哀” |
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| 引用本文： | 裴勇.析中日象征主义诗歌中的“物感”与“物哀”[J].六盘水师范高等专科学校学报,2013(6):41-44. |
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| 作者姓名： | 裴勇 |
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| 作者单位： | 重庆师范大学文学院,重庆401331 |
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| 基金项目： | 教育部社科项目（编号：08JA751044）. |
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| 摘 要： | 中日象征主义诗歌是屹立于20世纪中日诗坛的“一支异军”，它们都是在西方象征主义思潮的影响下萌生和发展起来，在诸多方面对西方象征主义进行了承袭和发展。“物感”是中国文艺理论发展史上的一个重要命题，也是中国古典美学的一个重要范畴。“物哀”是日本传统文论中一个重要的概念，也是日本传统审美观念中的精髓。西方象征主义思潮对中日象征主义诗歌的影响是显现而直观的，而中日古典诗歌传统对象征主义诗歌的影响是深入骨髓的。中日象征主义诗歌在吸收和融合了具有两个民族特质的“物感”与“物哀”的文学传统后生机勃勃，共同演绎出了一曲“东方之歌”。
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| 关 键 词： | 中日 象征主义诗歌 物感 物哀 |
Analysis of the Substance Sadness and Substance Feeling in Sino-Japanese Symbolism Poetry |
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| PEI Yong.Analysis of the Substance Sadness and Substance Feeling in Sino-Japanese Symbolism Poetry[J].Journal of Liupanshui Teachers College,2013(6):41-44. |
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| Authors: | PEI Yong |
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| Institution: | PEI Yong (Chongqing Normal University, Chongqing 401331 , China) |
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| Abstract: | Sino-Japanese symbolism poetry is a“different army”stands in the 20th century .Their initiation and development both under the influence of ideas of Western symbolism. They inherit and develop many as-pects of Western symbolism. Substance feeling is not only an important proposition in the history of the de-velopment of theory of Chinese literary, but also an important category of Chinese classical aesthetics. Sub-stance sadness is not only an important concept in traditional theory of Japanese literary, but also the essence of traditional Japanese aesthetic ideas. Western symbolism thoughts on Sino-Japanese poetry of symbolism is show and intuitive, and the classical poetic traditional in poetry of symbolism is in-depth bone marrow. Si-no-Japanese poetry of symbolism absorb and integrate the two national’s characteristics substance feeling and substance sadness literary tradition , and perform a“Song of East”together. |
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| Keywords: | Sino-Japanese symbolism poetry substance feeling substance sadness |
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