| 罗兰·巴特符号学思想述略 |
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| 引用本文： | 张淑萍.罗兰·巴特符号学思想述略[J].贵阳师范高等专科学校学报,2009,4(4):96-99. |
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| 作者姓名： | 张淑萍 |
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| 作者单位： | 兰州城市学院,外国语学院,甘肃,兰州,730070 |
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| 基金项目： | 教育部人文社会科学研究2007年度规划基金项目(项目 |
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| 摘 要： | 罗兰·巴特的符号学思想涵盖了两个领域：文学符号学和文化符号学，文学符号学是结构主义思维方式及结构主义语言学研究模式的产物，注重文本形式各要素之间的结构及其关系，并从“功能”、“行动”和“叙事”三个描述层来显示文本结构运作规则以及在这种运作规则下意义的生产方式；文化符号学以大众文化为研究对象，探讨形式背后的意义并发现大众文化在表现同一个主题——现代神话。现代神话先于表现它的形式而存在，在三级意指系统中被投入，被生成，也被自然化。巴特的文化符号学思想打破了西方始自古希腊的“形式至上”的思维范式，在比形式主义更看重形式的结构主义阶段是一大超越。
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| 关 键 词： | 罗兰·巴特 文学符号学 文化符号学 形式 内容 |
A Survey on Roland Barthes' Semiotic thoughts |
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| ZHANG Shu-ping.A Survey on Roland Barthes' Semiotic thoughts[J].Journal of GuiYang Teacher's College(Social Science),2009,4(4):96-99. |
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| Authors: | ZHANG Shu-ping |
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| Institution: | ZHANG Shu-ping (School of Foreign Languages, Lanzhou City University. Lanzhou Gansu730070, China) |
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| Abstract: | Roland Barthes semiotic thoughts cover two fields, literary semiotics and cultural semiotics. Literary semiotics got birth from the structural thinking way and structural linguistics, which dealt with the relationship among elements of form and structure analyses of the text in literary works from three layers such as function, action and narration in order to uncover the manipulation process of the text structure, in which meaning was produced, whilst his cultural semiotics exploited meaning behind form in the field of mass culture, and found that all mass culture had the same theme, that was Myth Today, which pre -existed and was put, produced and naturalized in three orders of signification. Barthes＇myth - oriented cultural semiotic thoughts was a great surpassing in the structuralism period when form was emphasized unprecedentedly, which broke the ＂ form overwhelming content＂ thinking model since ancient Greece. |
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| Keywords: | Roland Barthes literary semiotics cultural semiotics form meaning |
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