| 蔡邕与东汉诗序体考论 |
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| 引用本文： | 王辉斌.蔡邕与东汉诗序体考论[J].贵阳师范高等专科学校学报,2009,4(1):67-71. |
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| 作者姓名： | 王辉斌 |
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| 作者单位： | 襄樊学院中文系,湖北,襄樊,441053
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| 摘 要： | 诗序体是悄然兴起于东汉末年的一种新型诗歌体式。诗序体的产生，虽然是受了“赋序合一”等的影响所致，但与蔡邕对其之艺术实践大相关联，因为蔡邕集中的《樊惠渠歌并序》一诗，是现存最早的一首诗序体。此外，蔡邕善于从事“文序合一”之创作的举措，也为诗序体的问世提供了坚实之基础。由于诗序体开创了诗歌审美的新格局，所以魏晋六朝的诗人们均特别喜爱这一新型的诗体，其中，最具代表性的诗人是陶渊明。而此，所体现的则是蔡邕对文学史之重要贡献。
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| 关 键 词： | 蔡邕 诗序体 渊源 影响 |
Textual Criticism of Caiyong and His Poetic Preface in the Eastern Han Dynasty |
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| WANG Hui-bin.Textual Criticism of Caiyong and His Poetic Preface in the Eastern Han Dynasty[J].Journal of GuiYang Teacher's College(Social Science),2009,4(1):67-71. |
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| Authors: | WANG Hui-bin |
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| Institution: | WANG Hui-bin (Chinese Department, Xiangfan College, Xiangfan Hubei 441053, China) |
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| Abstract: | Poetic preface was a new kind of poetic genre which produced in the late years during the eastern Han dynasty. Although ppearance of poetic preface was influenced by unity of Fu and Xu, it was also related to Caiyong＇s practice for it because the poet The Preface to the Poem Fanhuiqu was the earliest poetic preface existed today. Besides, Caiyong was good at the creation of unity of Wen and Xu, which laid a strong foundation for the poetic preface genre. Because the poetic preface genre set up a new pattern for the poetic aesthetics, the poets during the Wei -Jin and Six dynasties were extremely fond of this new pattern of poetic genre, among which the typical poet was Tao Yuanming. Therefore, Caiyong made a great contribution to the literary history. |
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| Keywords: | Caiyong poetic preface genre originality influence |
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