| 《秋思》与《在巴黎地铁站》之审美意象 |
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| 引用本文： | 杨艳.《秋思》与《在巴黎地铁站》之审美意象[J].玉溪师范学院学报,2005,21(5):43-46. |
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| 作者姓名： | 杨艳 |
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| 作者单位： | 玉溪师范学院,英语系,云南,玉溪,653100 |
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| 摘 要： | 审美意象是中国古典美学中的核心概念。诗歌中的意象组合含义深远,简洁干练,在提供无尽信息的同时,给读者带来了强烈的心里体验。而独特的语言组合加强了这一印象。《秋思》与《在巴黎地铁站》两首诗歌具有独特的语言组合所产生的唯美的意象,中文诗歌意象的递相沿袭性和英诗的直觉性给予读者不同的情感体验。
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| 关 键 词： | 意象 语言 组合 |
| 文章编号： | 1009-9506(2005)05-0043-04 |
| 修稿时间： | 2005年3月21日 |
The Aesthetic Images of Thoughts in Autumn and In a Station of the Metro |
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| YANG Yan.The Aesthetic Images of Thoughts in Autumn and In a Station of the Metro[J].Journal of Yuxi Teachers' College,2005,21(5):43-46. |
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| Authors: | YANG Yan |
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| Abstract: | Aesthetic image is the core of Chinese ancient aesthetics. The image-combinations in poems are meaningful and concise. They deepen the psychological experiences of readers when they are being offered endless information. Also, unique language-combinations strengthen the aesthetic images. Thoughts in Autumn and In a Station of the Metro both have beautiful images created by language-combination, and the continuity in Chinese poem and the intuition of English image poem give readers different feeling experiences. |
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| Keywords: | images languages combinations |
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