| 也谈永明体与音乐的关系 |
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| 引用本文： | 亓娟莉.也谈永明体与音乐的关系[J].玉溪师范学院学报,2010,26(3):24-28. |
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| 作者姓名： | 亓娟莉 |
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| 作者单位： | 咸阳师范学院,咸阳,陕西,712000 |
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| 摘 要： | "四声"一词最早出现于中国古代传统音乐理论中,早在先秦两汉就有关于乐律"四声"的讨论,沈约声律"四声"理论同乐律"四声"有着相同的文化渊源,并存在一定的对应关系。永明声律说中以四声作文的主张与传统音乐学"五声杂比"为乐的理论及方法非常接近,永明体平仄病犯等理论同乐论中"同声"、"异音"等理论亦相类似。由此可见,中国古代音乐理论是永明声律说最直接的来源。
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| 关 键 词： | 永明体 古代音乐理论 声律 |
On the Relationship Between Yong Ming Theory and Music |
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| QI Juanli.On the Relationship Between Yong Ming Theory and Music[J].Journal of Yuxi Teachers' College,2010,26(3):24-28. |
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| Authors: | QI Juanli |
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| Institution: | QI Juanli(Xianyang Normal College,Xianyang,Shaanxi 712000) |
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| Abstract: | The term Four Tones first appeared in musical theories and was discussed in pre-Qin to Han period. Shen Yue's Four Tone Theory and the musical Four Tones shared the same cultural origin and correspondence can be found between them. Yong Ming Theory's Four Tone composition was similar to pentatonic scale of musicology. Its theory on Ping Ze was similar to musical theories of harmony and variations. Yong Ming Theory originated from ancient Chinese musical theories. |
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| Keywords: | Yong Ming Theory ancient Chinese musical theory tone |
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