| “史诗剧”样式与“史诗性”缺失——略论话剧《野人》的艺术得失 |
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| 引用本文： | 朱智勇.“史诗剧”样式与“史诗性”缺失——略论话剧《野人》的艺术得失[J].扬州教育学院学报,2008,26(2):14-18. |
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| 作者姓名： | 朱智勇 |
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| 作者单位： | 扬州大学,江苏,扬州,225002 |
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| 摘 要： | 旨在探讨《野人》戏剧样式在新时期话剧舞台的探索意义,分析其文本对主题的苍白表现,进而探讨剧作者“完全的戏剧”理论的负面效应,肯定戏剧文学的优良传统对戏剧实践仍具有意义,给当下戏剧理论和创作实践以启迪。
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| 关 键 词： | 史诗剧 史诗性 完全的戏剧 戏剧文学 |
The Style of "Epic Drama" and the Lack of "Epic"——A Brief Comment on the Gain and Loss of Art in the Drama《Barbarian》 |
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| Institution: | ZHU Zhi - yong (Yangzhou University, Yangzhou 225002, China) |
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| Abstract: | This article makes a probe into the significance of the drama style of 《Barbarian》 on the modem drama stage, and an analysis of the flat expression of its theme and the negative effect of the so caUed ＂a complete drama＂. The article approves that the good tradition of drama literature still has significance on drama practice, and inspires the present drama theory and creation. |
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| Keywords: | epic drama epic a complete drama drama literature |
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