| 主题和争论——穿越起点：21世纪中国电影研究 |
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| 引用本文： | 高伟云,丁可.主题和争论——穿越起点：21世纪中国电影研究[J].南京师范大学文学院学报,2012(3):10-13. |
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| 作者姓名： | 高伟云 丁可 |
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| 作者单位： | 阿姆斯特丹大学人文部文化分析学院,荷兰 阿姆斯特丹 |
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| 摘 要： | 本文从三个方面指出未来中国电影的研究途径：一,以包容的,世界性的,比较的态度质疑对中国电影中的＂中国性＂的断言。二,在目前对艺术电影普遍持有偏见的语境下,关注更多的大众化、本土化中国电影。三,中国电影中的＂中国性＂,不仅根植于文本和导演,同样产生于剧院生产体制及受众中。
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| 关 键 词： | 中国性 世界性 文化生产 受众 本土电影 |
Issues and Debates Crossing the threshold: Chinese cinema studies in the twenty -first century |
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| Institution: | Jeroen de Kloet |
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| Abstract: | This article proposes three trajectories for future studies on Chinese cinema.It argues,first,for an inclusive,cosmopolitan and comparative approach that critically interrogates the alleged ’Chineseness’ of Chinese cinema.Second,in the context of a current bias towards art cinema,it argues to study the more popular,vernacular kind of Chinese cinemas.Third,it proposes a broader framework of analysis,one that includes the production of the cinematic text as well as its reception.It is argued that the ’Chineseness’ of Chinese cinema is not just located in the text or its auteur,but also in its cinematic production and reception. |
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| Keywords: | Chineseness cosmopolitanism cultural production reception vernacular cinema |
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