| 从“观音”形态之流变看中国佛教美术世俗化、本土化的过程 |
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| 引用本文： | 王丹.从“观音”形态之流变看中国佛教美术世俗化、本土化的过程[J].河北师范大学学报(哲学社会科学版),2003,26(3):140-143. |
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| 作者姓名： | 王丹 |
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| 作者单位： | 广州大学,艺术与设计学院,广东,广州,510405 |
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| 摘 要： | 在中国佛教美术发展的历史进程中，经历了一个外来艺术本土化、宗教艺术世俗化的过程。这一过程，突出地反映在不同历史时期观音造像的形态变化之中，体现了中国佛教艺术走向世俗的必然趋势。
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| 关 键 词： | 观音菩萨 佛教美术 世俗化 本土化 |
| 文章编号： | 1000-5587(2003)03-0140-04 |
Study on naturalization and popularization of the Chinese Buddhist arts through variations of Guanyin Bodhisattva sculptures |
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| WANG Dan.Study on naturalization and popularization of the Chinese Buddhist arts through variations of Guanyin Bodhisattva sculptures[J].Journal of Hebei Normal University(Philosophy and Social Science),2003,26(3):140-143. |
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| Authors: | WANG Dan |
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| Abstract: | The development of Chinese Buddhist Arts has gone through the process in which the foreign arts became naturalized and the religious arts became popularized. And this process can be reflected in the variations of the Guanyin Bodhisattva sculptures in different historical periods. This symbolizes the inevitable tendency that the Chinese Buddhist Arts became naturalized. |
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| Keywords: | Bodhisattva Buddhist Arts popularization naturalization |
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