| 中国古代诗画论探析 |
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| 引用本文： | 周文彗.中国古代诗画论探析[J].咸阳师范学院学报,2005,20(3):63-66. |
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| 作者姓名： | 周文彗 |
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| 作者单位： | 咸阳师范学院,中文系,陕西,咸阳,712000 |
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| 摘 要： | 诗借鉴绘画的表现功能,但同时又实现对绘画的超越。诗人是以超人的敏感捕捉对自然的异样感受,以画家的眼睛观察自然瞬息万变的色彩,以音乐家的耳朵倾听自然静谧的声响,以哲人的静观体悟宇宙生命的律动,这些汇成一种超越视觉的全息诗性经验,把诗推向不可画的境地。
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| 关 键 词： | 诗 绘画 融合 深析 |
| 文章编号： | 1672-2914(2005)03-0063-04 |
| 修稿时间： | 2005年1月21日 |
On Appraisal of Poems in Paintings in Ancient China |
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| ZHOU Wen-hui.On Appraisal of Poems in Paintings in Ancient China[J].Journal of Xianyang Normal University,2005,20(3):63-66. |
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| Authors: | ZHOU Wen-hui |
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| Abstract: | Poems find references in the expressive function of paintings,but at the same time achieve transcension beyond paintings.Poets catch unusual feelings toward nature with their superhuman sensitivity, observe the transitory change of hues in nature with the eyes of painters, listen to the quiet sound in nature with the ears of musicians and meditate the rhythm of life with the calm observation of philosophers.All of these accumulate into a holistic poetic experience that goes beyond vision,driving poems into a level that defies painting. |
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| Keywords: | poems painting blending a deep analysis |
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