| 《橘颂》、《弹歌》与咏物诗的创格 |
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| 引用本文： | 邹巅,肖玉林.《橘颂》、《弹歌》与咏物诗的创格[J].湘南学院学报,2005,26(1):43-45,54. |
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| 作者姓名： | 邹巅 肖玉林 |
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| 作者单位： | 1. 中南林学院,外国语学院,湖南,长沙,410075
2. 湘南学院,中文系,湖南,郴州,423000 |
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| 摘 要： | 将《橘颂》与《弹歌》作一番比较,显示屈原的《橘颂》才真正完成了咏物诗的创格。《弹歌》作为中国现存最早的咏物诗,其咏物意象是物象的再现,《橘颂》则借橘的吟咏,创立了咏物原则和咏物境界,奠定了中国咏物诗的基础。
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| 关 键 词： | 《橘颂》 《弹歌》 咏物诗 创格 |
| 文章编号： | 1672-8173(2005)-01-0043-03 |
| 修稿时间： | 2004年9月21日 |
Tangerine Ode, Bamboo Bow Ode and the Creation of the Standards of Object-chanting Poetry |
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| ZHOU Dian,XIAO Yu-lin.Tangerine Ode, Bamboo Bow Ode and the Creation of the Standards of Object-chanting Poetry[J].Journal of Xiangnan University,2005,26(1):43-45,54. |
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| Authors: | ZHOU Dian XIAO Yu-lin |
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| Abstract: | A comparison between Tangerine Ode and Bamboo Bow Ode shows that only Qu Yuan's Tanger-ine Ode created the standards of object-chanting poetry. As the earliest object-object-chanting poem, Bamboo Bow Ode had some traces of riddle, and its object-chanting image was the representation of object. But Tangerine Ode chanted to express the writer's feelings, so it founded the object-chanting principles and idea, and laid the basis for Chinese object-chanting poetry. |
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| Keywords: | Tangerine Ode Bamboo Bow Ode object-chanting poetry creation of characteristics |
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