| 论嵇康《声无哀乐论》的"和"美学思想 |
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| 引用本文： | 赵国乾.论嵇康《声无哀乐论》的"和"美学思想[J].南阳师范学院学报,2006,5(11):48-51. |
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| 作者姓名： | 赵国乾 |
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| 作者单位： | 晓庄学院,人文学院,江苏,南京,211171 |
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| 摘 要： | 以“和”为美是嵇康《声无哀乐论》美学思想的核心。“和”在哲学的层面是指宇宙自然的和谐统一,它体现了宇宙生成的法则和规律。音乐代表了这种和谐统一,“和”美是音乐追求的最高理想。嵇康以“和”论乐,认为音乐的本体是与时代政治和人的情感无关的自然之和；在音乐与情感的关系上,认为音乐与情感并无必然的联系,而是一种对应关系；音乐除了移风易俗的教化功能外,还具有“导养神气,宣和情志”的娱乐功能。
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| 关 键 词： | 嵇康 声无哀乐 和 美学思想 |
| 文章编号： | 1671-6132(2006)11-0048-04 |
| 收稿时间： | 05 31 2006 12:00AM |
| 修稿时间： | 2006年5月31日 |
The Harmony Aesthetical Ideology in Ji Kang's No Sadness in Music |
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| ZHAO Guo-qian.The Harmony Aesthetical Ideology in Ji Kang''''s No Sadness in Music[J].Journal of Nanyang Teachers College,2006,5(11):48-51. |
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| Authors: | ZHAO Guo-qian |
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| Institution: | Humanities Faculty, Xiaozhuang College, Nanjing, Jiangsu 211171, China |
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| Abstract: | Harmony aesthetics is the key factor of aesthetical ideology in Ji Kang's No Sadness in Music, which,from a philosophical point of view,demonstrates the logic and law of nature with harmonious integrity of u- niverse.Music is just the representative of harmony of the kind which,in turn,is the loftist ideal of music.Ji Kang elaborated about music with harmony ideology.He maintained that music itself is natural harmony which was irrel- evant to politics and human emotions.Music was not intrinsically affiliated with emotions,but in correspondence with one another.Music could serve as cultivation of disposition and uplift of ideal besides education and removal of out-dated customs. |
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| Keywords: | Ji Kang No Sadness in Music harmony aesthetical ideology |
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