| 缘水求诗——从水之意象论阴铿的诗歌创作 |
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| 引用本文： | 荣文汉.缘水求诗——从水之意象论阴铿的诗歌创作[J].海南师范大学学报(社会科学版),2009,22(2):123-126. |
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| 作者姓名： | 荣文汉 |
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| 作者单位： | 北京大学中文系,北京,100021 |
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| 摘 要： | 处于六朝末期，梁陈交际的阴铿，是探索音韵规律、探索近体诗形式的重要诗人。因其传世作品仅有34首，史传中对他的记载也很简略，今人已无从得知他是否是自觉地遵循着某种理论来创作，但这并不妨碍我们肯定他为届世诗歌发展所做出的贡献。阴铿诗中有一个有趣的现象，即“水”的意象出现得颇为频繁。在其传世的三十余首诗中，有12首诗含有“江、河、溪、池”内容，这还不包括他的两首《闲居对雨》中的水之意象，近半数作品中都有水出现，其扮演的角色也多有不同，可以说，“水”见证了诗人的创作。
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| 关 键 词： | 阴铿 近体诗 水 意象 探讨 |
On Yin Jian's Verse Creation from the Image of "Water" |
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| Authors: | RONG Wen-han |
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| Institution: | RONG Wen-han ( Department of Chinese, Peking University, Bering 100021, China) |
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| Abstract: | Living at the later phase of the,Six Dynasties arid at the turn of transition from the Liang Dynasty to the Chen Dynasty , Yin Jian is an important poet engaged in exploring modem style poetry as well as rhyme and rhythm rules. Given small number of his extant poems and his sketchy biography in Records of the Historian, it is rather hard to discern whether he has consciously followed some theory in his creation, which does not, however, stand in the way of acknowledging his contribution to the development of poetry of later generations. There is Yin Jian＇ s poems an interesting phenomenon--the frequent occurrence of the ＂water＂image, because twelve out of his extant thirty-odd poems contain such items as ＂rivers, brooks and ponds＂, not including the water image in his two major poems related to rain and water. In short, the water image occurs and plays different roles in almost half of his poems, which suffices to bear witness to the creation of the poet. |
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| Keywords: | Yin Jian modem style poetry water exploration |
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