| 日本歌舞伎与欧阳予倩戏剧 |
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| 引用本文： | 靳明全.日本歌舞伎与欧阳予倩戏剧[J].华中师范大学学报(人文社会科学版),2003,42(3):74-78. |
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| 作者姓名： | 靳明全 |
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| 作者单位： | 重庆师范学院,文学院,重庆,630000 |
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| 摘 要： | 本文作者通过对日本歌舞伎与欧阳予倩戏剧的比较分析，认为，歌舞伎的“间”、“限取”、“点”、“歌舞分开”的特点与欧阳予倩戏剧有异曲同工之妙。欧阳予倩的戏剧观、戏剧创作、戏剧改革意识均与他观照歌舞伎相关，所以，学习欣赏欧阳予倩戏剧，应该掌握日本歌舞伎的特色。
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| 关 键 词： | 日本歌舞伎 欧阳予倩戏剧 比较分析 |
| 文章编号： | 1000-2456(2003)03-0074-05 |
| 修稿时间： | 2003年2月26日 |
Japanese Geisha and Ouyang Yuqian's Drama |
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| JIN Ming-quan.Japanese Geisha and Ouyang Yuqian''s Drama[J].Journal of Central China Normal University(Humanities and Social Sciences),2003,42(3):74-78. |
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| Authors: | JIN Ming-quan |
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| Abstract: | With the comparison of Japanese Geisha and Ouyang Yuqian's drama, this paper thinks that Ouyang's drama has similar characteristics with Japanese Geisha, which reflect in the following aspects; pause, mask, explaination and the separation of singing and dancing. It believes that Ouyang's ideas on drama, drama creation and drama innovation have much to do with Japanese Geisha. It concludes that grasping the features of Japanese Geisha is the first step of studying Ouyang's drama. |
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| Keywords: | Japanese Geisha Ouyang Yuqian's drama comparison |
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