| 论中国书画"虚"的文化观 |
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| 引用本文： | 王志文.论中国书画"虚"的文化观[J].桂林师范高等专科学校学报,2006,20(3):132-134. |
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| 作者姓名： | 王志文 |
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| 作者单位： | 桂林师范高等专科学校,中文系,广西,桂林,541001 |
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| 摘 要： | 中国书画审美创作的基本特征与文化观是:"虚"大于"实","形象"大于"思想","想像"重于"概念",大巧若拙,言不尽意.
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| 关 键 词： | 中国画 中国书法 "虚" 儒道文化 |
| 文章编号： | 1001-7070（2006）03-0132-03 |
| 收稿时间： | 2006-06-04 |
| 修稿时间： | 2006-06-04 |
On the Cultural View "void" in Chinese Painting and Calligraphy |
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| Wang Zhiwen.On the Cultural View "void" in Chinese Painting and Calligraphy[J].Journal of Guilin College of Education,2006,20(3):132-134. |
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| Authors: | Wang Zhiwen |
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| Institution: | Chinese Department of Guilin Normal college, Guilin , Guangxi 541001 |
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| Abstract: | "Those could be interpreted by words are rough while those couldBe expressed by thoughts are delicate".(Zhuangzi Autumn water)."Thoughtsare conveyed by something that could not be explained by words."(Zhuangzi Tian dao)These mysterious words grasp the basic characteristics and cultural view of the aesthetic notion and creation of Chinese painting and calligraphy,i,e,"Void "overweighs "Solidness","image" overweighs "idea ","imagination "overweighs"concept".Delicate things have a look of clumsy,Words can not express one's idea thoroughly. |
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| Keywords: | Chinese calligraphy Chinese painting Void Confucianism and Taoism |
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