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论苏轼诗歌创作与佛禅关系的三次转折
引用本文:木斋,李明华.论苏轼诗歌创作与佛禅关系的三次转折[J].江西师范大学学报(哲学社会科学版),2014(3):58-63.
作者姓名:木斋  李明华
作者单位:吉林大学文学院;琼州学院;
摘    要:苏轼接受的是中国禅宗,而摈弃的是印度佛教的外形。他对禅宗的接受有三个时期最为重要,分别是倅杭时期、黄州时期和惠儋时期。苏轼人生经历的这些变化,恰恰与中国佛教禅宗史以及中国文化史的历史沿革,有着某种内在的吻合和联系。这些吻合与联系,从宏观背景上促进了苏轼对佛禅的基本态度的形成。苏轼凤翔时期主要接受佛教艺术史,倅杭之后开始渐次深入到中国禅宗的哲学思想体系之中。这种转变既有苏轼个人人生经历的必然性,也有与苏轼贬谪所在地域佛禅情况的吻合,两者之间,相互作用,极大地促进了苏轼由佛向禅的发展演变。

关 键 词:苏轼  诗歌  佛禅思想

On Three Transitions of Relationship Between SU Shi's Poetic Works and Zen
Institution:MU Zhai, LI Minghua College of Humanities, Jilin University, Changchun, Jilin 130012 ; 2. Qiongzhou University, Sanya, Hainan 572022, China)
Abstract:SU Shi accepted Chinese Zen,but abandoned the shape of Indian Buddhism.There were three most important periods: Cui Hang period,Huang Zhou period and Hui Dan period.These changes that SU Shi experienced in his life had some intrinsic connection with the history of Chinese Buddhism and Zen and the history of Chinese culture.These promoted the formation of SU Shi's basic attitudes toward Buddhism and Zen from the macro background.SU Shi mainly accepted Buddhist art history during the period of Fengxiang,and gradually began to go deep into the system of Chinese philosophic thinking of Zen after Cui Hang.These changes implied the inevitability determined by SU Shi's personal life experiences,and kept consistent with Buddhism and Zen of the place where SU Shi was relegated.Both interactions greatly promoted the development and evolution of SU Shi's convert from Buddhism to Zen.
Keywords:SU Shi poetry  Buddhism and Zen  relationship
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