| 《笔生花》叙事艺术初探 |
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| 引用本文： | 李姣.《笔生花》叙事艺术初探[J].内江师范学院学报,2013(11):18-21,58. |
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| 作者姓名： | 李姣 |
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| 作者单位： | 陕西理工学院文学院,陕西汉中723001 |
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| 基金项目： | 陕西理工学院2013年校级研究生创新基金项目“性别视野下的清代弹词”（编号：SLGYCX1307）成果之一. |
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| 摘 要： | 《笔生花》作为一部由女性作家所写的弹词小说,在叙事艺术方面独具特色.小说采用了独特的女性化叙事方式,在讲述故事的同时,常从女性视角出发,带入自己处境和心情;在结构上,以历史进程为主线,五个家庭的线索贯穿其间,形成了一个纵横交错的多线结构.叙事时间安排上灵活多变,在按故事发生的时间讲述的同时,运用了预叙、倒叙等形式,使作品成为一个有机的整体.
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| 关 键 词： | 《笔生花》 女性化视角 叙事结构 叙事时间 |
A Brief Study of Narrative Art of Bi Shenghua |
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| LI Jiao.A Brief Study of Narrative Art of Bi Shenghua[J].Journal of Neijiang Teachers College,2013(11):18-21,58. |
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| Authors: | LI Jiao |
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| Institution: | LI Jiao (School of Literature, Shaanxi University of Technology, Hanzhong, Shaanxi, 723001, China) |
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| Abstract: | As a novel in the form of ballad written by a woman, Bi Shenghua has its unique features in narrative art. With a special feminine narrative style and from a female perspective, the novel has implied the writer＇s situation and mood. In its structure, it takes the historical development as the main line. The development lines run through five families, which has led to a crisscrossed structure, It is flexible in the narrative arrangement. And when it tells the stories according to the time sequence, it employs pre-narration and flashbacks, which makes the work a harmonious unity. |
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| Keywords: | Bi Shenghua feminine perspective narrative structure narrative time |
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