| 论传统配器法在电脑音乐制作中的应用 |
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| 引用本文： | 杨德华,黄曼.论传统配器法在电脑音乐制作中的应用[J].佳木斯教育学院学报,2012(4):88-89. |
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| 作者姓名： | 杨德华 黄曼 |
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| 作者单位： | 1. 湖北工程学院音乐学院区 湖北武汉430075
2. 蔡店中学 湖北武汉432200 |
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| 摘 要： | 传统配器法由于其历史起源与发展状况使得它与其他创作技法或者现代配器法有所区别,体现在音乐作品中的织体层次、音色编配以及音乐平衡等问题上.电脑音乐制作的特点则是可用音色范围的扩展、噪音层的出现以及“空间—立体感”这三个方面.即便它们各有特点,传统配器法却仍然能从织体层次的编配、音色的编配和音乐音响的平衡这三个方面来影响并应用到电脑音乐制作中去.
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| 关 键 词： | 传统配器法 电脑音乐制作 应用 |
On the application of traditional orchestration in the computer music production |
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| Yang De-hua
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Huang Man.On the application of traditional orchestration in the computer music production[J].Journal of Jiamusi Education Institute,2012(4):88-89. |
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| Authors: | Yang De-hua Huang Man |
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| Institution: | (Music School,Hubei Engineering University,Wuhan Hubei,430075,China;Caidian Middle School,Wuhan Hubei,432200,China) |
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| Abstract: | Traditional orchestration because of its historical origin and development situation and other creative techniques or modern orchestration,reflected the layers of texture,tone allocation as well as music balance etc in the music works.The features of computer music production is available tone range expansion,noise layer appearance as well as" space,three-dimensional sense".Even if they have characteristics,traditional orchestration can still from layers of texture allocation,the timbre of the arrangements and musical acoustics balance these three aspects to influence and apply in computer music production. |
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| Keywords: | traditional orchestration computer music production application |
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